postcards > crox-cards

For images
see file ‘publication’

1/
KNUTS. 1994. Final project of the first crox-period (1990-1992). The title of
the project is an anagram of kunst and this is the Dutch equivalent of art (tar,
rat, tra, tra-ta-ta). The project got cancelled.

2/
The 2nd crox-card is the reproduction of a handwritten poem by Belgian poet
Johan Joos. First publication of
that poem was in Stil de grain (Ed.
Bert Bakker 1989). The crox-card is based on another, handwritten version of
the poem, published in the crox En Passant-catalogue (1991). Crox-card NR 2 is
out of stock.

3/
is from the first edition of the Copy Art project. It is the final contribution
to that first edition, by Edwin Carels. It hung in the streets of Ghent from
end of August 1991 on. The work is quite an interesting invention. Carels turns
the 'fig.'-indication, which one frequently traces in illustrated books, into
fig. toi: imagine.

4/
is a work by Hans van Heirseele from the third edition of the same project.

Cards
1-4 are photocopy on cardboard.

All
other cards are printed matter.

Prepess
5-20 by Thomas Huyghe, based on extachromes made by Dirk De Neef. Prepess 21-28
by Anja Hellebaut. This time no ectachromes were used. From crox-card 29 on
prepress by Johan De Wilde; from crox-card 49 on both JDW and Sander
Vandenbroucke work on the prepress.

5/
and 6/ are paintings by Thomas Huyghe. Croxcard 5 is one of the works from his
solo-project in 1998.

7/
and 8/ are paintings by Michael Borremans from the second crox-solo in 1999:
Dog & Pixie.

9/
and 10/ are paintings by Hans van Heirseele. The first one belongs to a series
of paintings made during Autumn 1997. It is a stillife in a well-tempered shade
of daylight. The second one is a work finished on January 4, 1998. It has a
distant and more cold atmosphere.

11/
is two photographs by Daniel Libens from a 1996 project of Sjoerd Paridaen. The
same works got exhibited in Croxhapox later that year. 1998

12/
is a mail art by Sjoerd Paridaen from his correspondence with Hans van
Heirseele. 1998

13/
Karien Vandekerkhove. One of the drawings from the Liquids Series, NR 42 (1997).
1999

14/
For his crox-card Jan De Cock took an image from the first Belvedere project,
March 1998. His crox-project began half a week later.

15/
and 16/ are paintings by Ignace De Vos. Both works appeared in the 1998
solo-project. The second has croxhapox as title.

17/
18/ are paintings by Hans van Heirseele (a still life made in 1999) and Vincent
De Roder (a landscape).

19/
is a work by Michaël Borremans from 1999: Terror Identified (Love Unlimited):
The Web. Sold out.

20/
A work by Johan De Wilde, from his Voorkamer exhibition.

21/
and 22/ Marc Coene. Two pictures from different series of photographs.

23/
and 24/ Pieter De Gand. Park and Parkbos. Two paintings from his 2004 solo
project.

25/
and 26/ Robin Vermeersch. Bernard Hinault and Surrounds of Toulon. An edition
of two cards meant to be cards and nothing else. The format of the card and the
works is completely identical.

27
and 28/ Anja Hellebaut. Photographs from 2001 and 2002. Both works were part of
her crox-solo, May 2005.

29/
is a dazzling photograph by Johan De Wilde. It shows part of Oslo seen from an
airplane.

30/
Johan De Wilde. A drawing entitled Until
death do us part. From his 2006
crox-solo.

31/
Alda Snopek. The card is derived from a series of photographs shown during her
first project in 2005. The card itself is an original work.

32/
J. Van der Borght. A still from 'The Wrong Ear, Vincent', a video from 1996.

33/
Dianna Frid, 2005. Island.

34/
Video-still from the work Linda,
Delphine en de anderen (Linda,
Delphine and the others) by Lucia Penninckx. May 2006.

35/
CarianaCarianne. A still from 'Dwelling Field', part of her second
crox-project.

36/
Carole Vanderlinden. A drawing entitled Cible.

37/
Nicolas Leus. As 31 and 25-26: conceived as a card. The work and the crox-card
are completely identical.

38/
Debra Tolchinsky. Item #1 Soap. The work is part of her crox-project, crox 183
(June-July 2006), in a different shape though.

39/
Christophe Lezaire. Charte. The card has poor printing quality,
basically because of the work itself. The painting is hardly reproduceable.
Most of Lezaire's oeuvre –

40/
Lieve D’hondt. Ki. 2005.

41/
Dirk Zoete. Tractor (2004). The work pictures a typical Flemish scenerie.

42/
Dirk Zoete. A drawing from 2002, entitled To
live in a head as a domesticated adventurer (Wonen
in een hoofd als een huiselijk avonturier).

43/
& 44/ Thomas Böing. Drawings from different periods. 'At Noon' is a work
from 2004, 'Birdhouse' belongs to an older series but is a remake from 2006.

45/
Hedwig Brouckaert. Magazine figures. Reproduction of a huge rollerpoint
drawing. Reduced to the size of a card the work looks an early fourteenth
century Chinese landscape scenerie.

46/
Tinka Pittoors. Ongewenst monument (2006). [Unwanted monument.]

47/
Christophe Lezaire. Reprint of card NR 39. Reprint of 39.

48/
Christophe Lezaire. Congratulations (2005). A small painting featuring slightly
greenish shades of grey.

49/
Carole Vanderlinden: Herbier (2005). Black ink on paper remodelled in a
collage.

50/
Carole Vanderlinden. An oil painting from 2005 entitled Il pleut dehors (it rains outside).

51/
& 52/ are both from the 6th BRAINBOX unit (2006) featuring Alda Snopek,
Merlin Spie and Ludo Engels. The photographs are works by Marc De Clercq.

53/
shortly to be published.

54/
is a work by Wouter Decorte, basic element of his solo project in 2007:
Plooibaar Landschap.

55/
Peter Morrens. Grote gelijktijdigheid #2, a photograph from 2005 showing a
museal display of a work by Piero dela Francesca.

56/
Peter Morrens. A work from the Point Blank Press, nr 370: Ik zal eens goed
komen lachen met uw expositie - expositie is crossed out and replaced by the
word postkaart (postcard). 2004